I saw "Man on Wire" a few nights ago. A few minutes into the documentary/film, my partner and I had a brief discussion/argument over the source of the footage being shown in some parts. It was obvious that some of it was staged. For instance, there is no way that the team of compelling characters who were to rig a wire between the two World Trade Centres in 1974 had filmed their entrance into the towers disguised as a work crew and a pair of architects. There was no disagreement there. But, whilst she thought the "old" footage of the lead character and wire-walker, Phillipe, and his posse carousing around in fields dotted with flowers or of Phillipe manically juggling in the streets of Paris whilst riding a unicycle must have been re-enactments, I was sure that they were authentic. I can understand her difficulty in accepting that these snippets were the real deal, they were so suffused with atmosphere and the force of their characters as to be almost magical, and therefore surely created through technological wizardry and careful direction. I was right of course, they were real, and they kept coming, like an avalanche of information on the beauty, purity of purpose, and artistic expression which exists in potential within humanity. Sound over the top? I promise you, it's not. I can still scarcely believe that these people exist, really exist, and that they did what they did, really did it. It rejuvenated my sense of what is possible, and of what could and should drive me. Watch it.

Faith and Star Trek

Am I the only one who has a problem with the fact that most of the aliens portrayed in the new Star Trek movie are humanoid? I found this so annoying that it pretty much ruined the film for me, despite some of the best effects and action ever in my favourite genre, science fiction. I'm no Trekkie, but I do feel strongly about this aspect of the Star Trek franchise to want to say something about it. It is logically impossible for any alien species, not to mention dozens, to share anything beyond perhaps an eye or a set of teeth in common with humans. The chances of a species on another planet evolving to resemble humans, down to the limbs and digits, is just not possible. Ruminating on this subject after watching the film, I typed a few search terms into google and found reference to some early episode of Star Trek which sought to explain this phenomenon by way of the much earlier evolution of "humans" on a distant planet in the galaxy, and a subsequent "seeding" of "M-type planets" with the human genome. The problem with this explanation is that humans on this planet are inserted into a complex set of evolving forms, with so many connections and antecedents which make up a consistent framework of evolution. Humans weren't simply inserted into this mix, their form is entirely consistent with the set of other forms related to it. For some earlier race to "seed" the earth could only occur at a much, much earlier stage in the evolution of life, say the Pre-cambrian, when the ancestors of the modern genus of species were formed, or rather selected from a larger set of possible genus(es?). This is impossible too, as the insertion of an earlier set of genes could not be assured of evolving into the human form, as evolution is based on random mutations, and their selection based on suitability for survival in a given context.

Basically, those Star Trek people are retarded if they don't see this as a problem, which I consider to be significant enough to kind of ruin the whole thing for me. But I guess myriad millions of us are ok with implausability, with inconsistencies and illogicalities - observe the faithful multitudes. For me, stuff that doesn't make sense is a big deal and can't just be resolved with faith or forgetfulness. If intellectual honesty was a prerequisite for living, faith would disappear like a life-form ill suited to its environment.

Synecdoche New York

"Synecdoche New York" is a wonderful movie. Its aesthetics and pacing set the scene for a virtually seamless investigation of timeless themes such as death and ageing, love and loss, and the futility of existence. The endless references (subtle and not so subtle) to these themes provide the viewer with opportunties to test their wits and implant their meaning deeper into the mind. Phillip Seymour Hoffman must have gum surgery = a difficulty in communicating; He must use an instantaneous translation device to speak to his dying daughter = an illustration of how parents and childern can grow apart and virtually speak different languages; the building of the giant set and endless rehearsals without ever actually performing = well, the futility of it all. I particularly liked the protrayal of love and the pain and joy it brings (emphasis on the pain). It all seems to be in there, from the distance that can manifest between two people, to the failure to capitalise on a chance at happiness, to inequalities in affection and a final surmounting of the barriers life presents to find real joy. I wouldn't be surprised if movies like this require an auteur at the helm (in this case, Andy Kauffman) to be brought into existence.

Behind the Rainbow

So, the South African national elections 2009 have concluded, and Jacob Zuma is the new president. It is easy to articulate the anxieties which many have over this man as the leader of the country. He has multiple wives, which those of us dedicated to the notions of geese-like, to-the-end partnership, or even serial monogamy, cannot help but associate with a kind of lecherousness and disregard for the subtle interplay of interdependence and attention to the independence of those we love. Zuma's erstwhile financial adviser (Schabir Shaik) was sent to prison based on evidence of his corrupt relationship with the now president, a fairly straightforward indication of Zuma's corruptibility, despite the failure to level these charges in court. Despite the enigmatic quality to the man himself (which stems in part from his seemingly perpetual status as a legal defendant over the past few years, being advised not to comment), Zuma is surrounded by some hideous characters, none more so than the President of the ANC Youth League, Julius Malema, who combines what is clearly a talent for vivid linguistic imagery with a kind of terrifying loyalty and aggression reminiscent of the lieutenants to ancient warlords of the Asian steppes. Yet there is a willingness to give Zuma the benefit of the doubt, and an almost eager anticipation of a change from the excruciatingly dull Mbeki and dutifully sombre interim President, Kgalema Mothlanthe. Personally, whilst I voted for the Democratic Alliance (DA), mainly out of principled opposition to the devolution in character of the ANC, I still do believe that a mass-movement party with some kind of philosophy or ideology rooted in history (however tenuous and subject to revision that may be) is better suited to the task of "nation-building" (cringeworthy term..) and the kind of large-scale development required here, than a party which espouses rationality and efficiency as the panacea to every ill. To me, the DA is the opposition, and an opposition is important, but I see their insistence on rationality and efficiency as both rootless and inherently racist. The kinds of solutions proferred by the DA, or the Congress of the People (COPE) to problems such as crime, unemployment and poverty are those that any reasonably competent group of students would arise at were they thrown into groups and given 20 minutes to produce a mock-manifesto. The ANC, with all its shortcomings, still gets my vote of confidence as the party which has the best chance to emulate the Asian tigers, as a party which may develop large-scale, successful solutions to the specific large-scale problems extant in the specific context of South Africa. This is a long-shot, especially considering the willingness to compromise and revert to the de-historicised and generic approach illustrated in the ANC's shift in economic and development policies shortly after 1994. However, any other party would have no shot at all. For these reasons, I voted against the ANC at the ballot, but I still have faith, despite the absence of evidence.